Friday night I saw Ameriville, "
An explosive fusion of storytelling and the infectious rhythms of jazz, Gospel, and hip-hop" that "puts the state of the Union under a microscope...through the lens of Hurricane Katrina and its aftermath." My bias notwithstanding (I went largely to support a friend who was working tech), I genuinely think that technically-speaking it was extremely impressive.
Perhaps most strikingly, they used lighting and choreography to infuse the show with exquisite form, shadow, etc. in a way that was clearly deliberate but done so seamlessly it "felt" unconscious.
The show is very much experiential (no Brechtian acting here), taking the audience through a crisis of faith in the American dream particularly brought to the forefront by Hurricane Katrina. It's intense; though there are distinct "scenes," they aren't separated by blackouts or closed curtains like in "traditional" plays so the show flows continuously. That being said, they did a great job of varying more intense "scenes" with those that might be equally serious but have a more humorous approach. Similarly, they alternated "simpler" monologues and dialogues with montages that managed to be complex without feeling "busy."
Throughout the show, they used the device of repeating/riffing on snippets from well-known songs, and by doing so repeatedly and with an eclectic range of songs that paralleled the show's "embrace U.S. diversity" message turned the music into a unifying motif. Also, I'm now in lust with the actress's voice.
This great promotional video clip should give you a sense of what I'm talking about above.
Content-wise it was definitely thought-provoking for me, though I suspect not in the ways the creators/performers intended.
( Cut for spoilers )One way or another, I'm really glad I went to see this show. It was thought-provoking, had a
good message, and was beautifully executed. And
tickets for people under 30 are available for only $10 :) (they only list it on the site's fine print, but are super nice when you call to get the tickets).
* The friend with whom I went to the show asked me to clarify this bit. From what I sent to her: "My issue was with comparing what I see more as xenophobia marginally tempered by a token nod to human rights (internment camps) to the deliberate fostering of an ideology that justifies the creation of a class of okay-to-kill people in order to avert class riots (by poor whites in North America or by poor Christian Germans and Poles in Europe)."